|It is all about connections|
I am calling it "the cultural amygdala," pointing out that it is composed of circuitry which lies outside of the physical amygdala (Hypothesis: The Cultural Amygdala), but which connects to the physical amygdala's circuitry.
That connecting circuitry is composed of neurons with their long axons which end at dendrites.
There they connect to other neurons in the physical amygdala via "connections" which take place at synapses, those bridges over the gap between dendrites at the end of axons of other neurons.
Neurons that have their soma (cell body) in other sections of the limbic system of the brain (see e.g. The Brain).
As it turns out, the final basic circuitry that makes up the hypothesized cultural amygdala, within the prefrontal cortex portion of the cultural amygdala, does not begin to develop within us during childhood.
That generally begins in late adolescence and then generally matures during early adulthood:
The first realm to consider where PFC [pre-frontal cortex] function is compromised in humans is, quite reasonably, during development. Children show only minimal frontal function, from the standpoints of cognition (for example, in reversal tasks), emotional regulation, control of impulsive behaviour and moral reasoning. One of the myths of child development is that the brain is fully developed at some remarkably early age (the age of 3 years is probably most often cited (Bruer 1999)). Instead, brain development is far more prolonged and, not surprisingly, the PFC is the last region of the brain to fully myelinate. Remarkably, this process extends well beyond adolescence into early adulthood (Paus et al. 1999).(The Frontal Cortex and the Criminal Justice System, PDF, p. 6). Dr. Robert Sapolsky of Stanford, in the video below, discusses the Limbic System, which contains the circuitry of the cultural amygdala as well as lots of other circuitry.
That ongoing development of the frontal cortex and the cultural amygdala in that area is some of the reason for the differing viewpoints, taboos, laws, and norms of one culture or sub-culture when compared to another culture or sub-culture (cf. The Fruits of A Celebrity World of Illusion).
A contrasting example of how the brain develops early, with regard to language, is presented in the Dr. Lakoff video below the video of Dr. Sapolsky.
Those videos are lectures by two prominent scientists.
The Dr. Lakoff video shows how the language a culture speaks has a very early influence as to how culture impacts on the shape and configuration of brain circuitry, including the physical amygdala.
Together, I hope they convincingly show that culture is important to brain development; so important that we can envision a virtual entity and call it the cultural amygdala.
One can also hypothesize that one's culture shapes one's cultural amygdala in meaningful ways.
Thus, how impulses etc. from the physical amygdala, which frontal cortex dynamics regulate to the extent that they can, are to a degree also influenced by the cultural amygdala, as well as, to a lesser degree, the individuality of every person.
That is another reason why the toxins of power affect those exposed to power in many different ways, even though the raw power itself may be essentially the same power type across cultures.
That is, a ruler in Culture A, a culture which is way different from Culture B, will be exposed to the same basic toxins of power that a ruler in Culture B will, however, those rulers may react to the same toxins of power differently (to the extent that the cultural amygdala is different).
The next post in this series is here, the previous post in this series is here.
Video index to The Limbic System video, by Dr. Sapolsky
15:20 logical section / emotional section theory of mind is nonsense
15:40 Antonio Demasio - shows Descarte utterly wrong
16:30 circuitry (James Papes)
17:40 Papes circuitry - emotional part of brain
18:58 entire limbic system tries to influence what the hypothalamus does
21:20 stilulating / restricting sections depends on closeness to hypothalamus
23:12 our olfactory system is closest to hypothalamus
27:25 septum: mid-brain area
28:58 PFC (impulse control, emotional control) develops last
34:30 amygdala / hippocamus memory - connections
50:15 amygdala gets larger in people with PTSD
50:45 stress causes amygdala neurons to grow more dendritic processes
51:00 hippocampus gets smaller @ depression
101:00 amygdala activating aggression
102:18 septum inhibits aggression
103:30 hippocamus turn off stress response
104:40 precortal / frontal moderator
113:40 James / Lang theory of emotion
23:35 "word binding"
26:00 "98% of your thought is unconscious"
26:10 "learning is ... 'neural recruitment' ... connecting new brain circuits to existing ones"
30:05 "you can't learn anything unless there are circuits already there to connect to"
31:20 "you think with your brain ... most of it is unconscious ... could all of your thought be conscious? ... no ... conscious thought is linear ... unconscious thought is parallel" [billions of thoughts taking place at once]
41:00 "Louder Than Words is a useful book ... funny" [but also serious]:
LOUDER THAN WORDS
"... The key to making your work resonate is to uncover, develop, and then bravely use your authentic voice.[first two chapters here (PDF)]
What does this mean? When you are pouring yourself into your
work and bringing your unique perspective and skills to the table, then
you are adding value that only you are capable of contributing. How-
ever, many people operate in “default mode,” and they ignore their
hunches, their deeper intuition, and their unique vision, and instead
settle into the fold. Over time, they become more of a reflection of
everyone around them—or a faded photocopy of a photocopy—than
an original source of ideas, energy, and life. Instead of doing the diffi-
cult work necessary to weave their influences together into something
fresh and original, they settle for recycling the scraps in exchange for a quick return on their effort. In the end, they fall short of making a
unique contribution that’s reflective of what they truly care about, and
because of a lack of individuality and passion, their work is less likely
to resonate with their audience.
However, brilliant contributors commit to the process of devel-
oping an authentic voice through trial and error, by paying attention
to how they respond to the work of peers, heroes, and even their
antagonists, by playing with ideas, by cultivating a sharp vision for
their work, and ultimately by honing their skills so that they have the
ability to bring that vision to the world. If you examine the most con-
tributive, impactful, and ultimately influential people throughout
history, the one thing that clearly sets them apart is their unique
voice. They had developed a personal expression that distanced them
from their peers and put them in a field of their own. Their body of
work speaks loudly about who they are and what they value. Louder,
even, than their words."